Lauren Bacall (born Betty Joan Perske; September 16, 1924) is an American film and stage actress and model, known for her husky voice and sultry looks.
She is perhaps best known for being a film noir leading lady in such films as The Big Sleep (1946) and Dark Passage (1947), as well as a comedienne, as seen in 1953's How to Marry a Millionaire and 1957's Designing Woman. Bacall also enjoyed Tony-winning success in the Broadway musicals Applause in 1970 and Woman of the Year in 1981. Her performance in the movie The Mirror Has Two Faces (1996) earned her a Golden Globe Award and an Academy Award nomination.
In 1999, Bacall was ranked as one of the 25 actresses on the AFI's 100 Years... 100 Stars list by the American Film Institute. In 2009, she was selected by the Academy of Motion Picture Arts and Sciences to receive an Academy Honorary Award at the inaugural Governors Awards.
Born in New York City, Bacall was the only child of Natalie Weinstein-Bacal, a secretary who later legally changed her surname to Bacall, and William Perske, who worked in sales. Her parents were Jewish immigrants, their families having come from Poland, Romania and Germany. She is a cousin of Shimon Peres, current President and former Prime Minister of Israel. Her parents divorced when she was five, and she took her mother's last name, Bacall. Bacall no longer saw her father and formed a close bond with her mother, whom she took with her to California when she became a movie star.
Bacall took lessons at the American Academy of Dramatic Arts. During this time, she became a theatre usher and worked as a fashion model. As Betty Bacall, she made her acting debut, aged 17, on Broadway in 1942, as a walk-on in Johnny 2 X 4. According to her autobiography, Bacall met her idol Bette Davis at Davis's hotel. Years later, Davis visited Bacall backstage to congratulate her on her performance in Applause, a musical based on Davis's turn in All About Eve.
Bacall became a part-time fashion model. Howard Hawks's wife Nancy spotted her on the March 1943 cover of Harper's Bazaar and urged Hawks to have her take a screen test for To Have and Have Not. Hawks invited Bacall to Hollywood for the audition. He signed her up to a seven-year personal contract, brought her to Hollywood, gave her $100 a week, and began to manage her career. Hawks changed her name to Lauren Bacall. Nancy Hawks took Bacall under her wing. She dressed Bacall stylishly, and guided the newcomer in matters of elegance, manners, and taste. Bacall's voice was trained to be lower, more masculine, and sexier, which resulted in one of the most distinctive voices in Hollywood. In the movie, Bacall takes on Nancy's nickname Slim.
During screen tests for To Have and Have Not (1944), Bacall was nervous. To minimize her quivering, she pressed her chin against her chest and to face the camera, tilted her eyes upward. This effect became known as 'The Look', Bacall's trademark. Her performance is acknowledged as one of the most powerful on-screen debuts in film history.
On the set, Humphrey Bogart, who was married to Mayo Methot, initiated a relationship with Bacall some weeks into shooting and they began seeing each other.
On a visit to the National Press Club in Washington, D.C. on February 10, 1945, Bacall's press agent, chief of publicity at Warner Bros. Charlie Enfield, asked the 20-year-old Bacall to sit on the piano which was being played by Vice-President of the United States Harry S. Truman. The photos caused controversy and made worldwide headlines.
After To Have and Have Not, Bacall was seen opposite Charles Boyer in the critically-panned Confidential Agent (1945). Bacall would state in her autobiography that her career never fully recovered from this film, and that studio boss Jack Warner did not care about quality. She then appeared with Bogart in the film noir The Big Sleep (1946), the thriller Dark Passage (1947), and John Huston's melodramatic suspense film Key Largo (1948). She was cast with Gary Cooper in the adventure tale Bright Leaf (1950).
Bacall turned down scripts she did not find interesting and thereby earned a reputation for being difficult. Yet, for her leads in a string of films, she received favorable reviews. In Young Man with a Horn (1950), co-starring Doris Day and Kirk Douglas, Bacall played a two-faced femme fatale, with more than a hint of lesbianism to her character. This movie is often considered the first big-budget jazz film.
Bacall starred in the CinemaScope comedy How to Marry a Millionaire (1953), a runaway hit that saw her teaming up with Marilyn Monroe and Betty Grable. Bacall got positive notices for her turn as the witty gold-digger, Schatze Page. At one point in the film, when discussing marriage to an older man, she has the (self-referential) line, "Look at that old fella, what's-his-name, in The African Queen." According to her autobiography, Bacall refused to press her hand- and footprints in the cemented forecourt of Grauman's Chinese Theatre at the Los Angeles premiere of the film.
Written on the Wind, directed by Douglas Sirk in 1956, is now considered a classic tear-jerker. Teaming up with Rock Hudson, Dorothy Malone and Robert Stack, Bacall played a determined woman. Bacall states in her autobiography that she did not think much of the role. While struggling at home with Bogart's severe illness (cancer of the esophagus), Bacall starred with Gregory Peck in the slapstick comedy Designing Woman and gained rave reviews. It was directed by Vincente Minnelli and released in New York City on May 16, 1957, four months after Bogart succumbed to cancer on January 14.
1960s and 1970s
Bacall's movie career waned in the 1960s, and she was only seen in a handful of films. But on Broadway she starred in Goodbye, Charlie (1959), Cactus Flower (1965), Applause (1970) and Woman of the Year (1981). She won Tony Awards for her performances in the latter two. The few movies Bacall shot during this period were all-star vehicles such as Sex and the Single Girl (1964) with Henry Fonda, Tony Curtis and Natalie Wood, Harper (1966) with Paul Newman, Shelley Winters, Julie Harris, Robert Wagner and Janet Leigh, and Murder on the Orient Express (1974), with Ingrid Bergman, Albert Finney and Sean Connery. In 1964, she appeared in two acclaimed episodes of Craig Stevens's CBS drama, Mr. Broadway: first in "Take a Walk Through a Cemetery", with then husband Jason Robards, Jr., and Jill St. John, and then as Barbara Lake in "Something to Sing About", with Martin Balsam as Nate Bannerman.
For her work in the Chicago theatre, Bacall won the Sarah Siddons Award in 1972 and again in 1984. In 1976, she co-starred with John Wayne in his last picture, The Shootist. The two became friends, despite significant political differences between them. They had previously been cast together in 1955's Blood Alley.
During the 1980s, Bacall appeared in the poorly-received star vehicle The Fan (1981), as well as some star-studded features such as Robert Altman's Health (1980) and Michael Winner's Appointment with Death (1988). In 1997, Bacall was nominated for a Best Supporting Actress Academy Award for her role in The Mirror Has Two Faces (1996), her first nomination after a career span of more than fifty years. She had already won a Golden Globe and was widely expected to win the Oscar, which went to Juliette Binoche for The English Patient.
Bacall received the Kennedy Center Honors in 1997. In 1999, she was voted one of the 25 most significant female movie stars in history by the American Film Institute. Since then, her movie career has seen a new renaissance and she has attracted respectful notices for her performances in high-profile projects such as Dogville (2003) and Birth (2004), both with Nicole Kidman. She is one of the leading actors in Paul Schrader's 2007 movie The Walker.
In March 2006, Bacall was seen at the 78th Annual Academy Awards introducing a film montage dedicated to the film noir genre. She also made a cameo appearance as herself on The Sopranos in April 2006, during which she was punched and robbed by a masked Christopher Moltisanti.
In September 2006, Bacall was awarded the first Katharine Hepburn Medal, which recognizes "women whose lives, work and contributions embody the intelligence, drive and independence of the four-time-Oscar-winning actress", by Bryn Mawr College's Katharine Houghton Hepburn Center. She gave an address at the memorial service of Arthur M. Schlesinger, Jr at the Reform Club in London in June 2007.
Bacall is the spokesperson for the Tuesday Morning discount chain. Commercials show her in a limousine waiting for the store to open at the beginning of one of their sales events. She is currently producing a jewelry line with the company Weinman Brothers.
Bacall has been selected by the Academy of Motion Picture Arts and Sciences to receive an Honorary Academy Award. The award was presented at the Inaugural Governors Awards on November 14, 2009.
On May 21, 1945, Bacall married Humphrey Bogart. Their wedding and honeymoon took place at Malabar Farm, Lucas, Ohio. It was the country home of Pulitzer Prize-winning author Louis Bromfield, a close friend of Bogart. The wedding was held in the Big House. Bacall was 20 and Bogart was 45. They remained married until Bogart's death from cancer in 1957. Bogart usually called Bacall "Baby," even when referring to her in conversations with other people. During the filming of The African Queen (1951), Bacall and Bogart became friends of Bogart's co-star Katharine Hepburn and her partner Spencer Tracy. Bacall also began to mix in non-acting circles, becoming friends with the historian Arthur Schlesinger, Jr. and the journalist Alistair Cooke. In 1952, she gave campaign speeches for Democratic Presidential contender Adlai Stevenson. Along with other Hollywood figures, Bacall was a staunch opponent of McCarthyism.
Shortly after Bogart's death in 1957, Bacall had a relationship with singer and actor Frank Sinatra. She told Robert Osborne of Turner Classic Movies (TCM) in an interview that she had ended the romance. However, in her autobiography, she wrote that Sinatra abruptly ended the relationship, having become angry that the story of his proposal to Bacall had reached the press. Bacall and her friend Swifty Lazar had run into the gossip columnist Louella Parsons, to whom Lazar had spilled the beans. Sinatra then cut Bacall off and went to Las Vegas.
Bacall was married to actor Jason Robards from 1961 to 1969. According to Bacall's autobiography, she divorced Robards mainly because of his alcoholism. In her autobiography Now, she recalls having a relationship with Len Cariou, her co-star in Applause.
Bacall had two children with Bogart and one child with Robards. Her children with Bogart are her son Stephen Humphrey Bogart (born 6 January 1949), a news producer, documentary film maker, and author; and her daughter Leslie Bogart (born 23 August 1952), a yoga instructor. Sam Robards (born 16 December 1961), her son with Robards, is an actor.
Bacall has written two autobiographies, Lauren Bacall By Myself (1978) and Now (1994). In 2005, she re-published the first volume and updated it with an extra chapter. She released it as By Myself and Then Some.
Bacall is a staunch liberal Democrat. She has proclaimed her political views on numerous occasions.
She appeared alongside Humphrey Bogart in a photograph printed at the end of an article he wrote titled "I'm No Communist" in the May 1948 edition of Photoplay magazine, written to counteract negative publicity resulting from his appearance before the House Unamerican Activities Committee. Bogart and Bacall specifically distanced themselves from the Hollywood Ten and were quoted as saying: "We're about as much in favor of Communism as J. Edgar Hoover." In October 1947, Bacall and Bogart traveled to Washington, DC along with other Hollywood stars, in a group that called itself the Committee for the First Amendment.
She campaigned for Democratic candidate Adlai Stevenson in the 1952 Presidential election and for Robert Kennedy in his 1964 run for Senate.
In a 2005 interview with Larry King, Bacall described herself as "anti-Republican... A liberal. The L word." She went on to say that "being a liberal is the best thing on earth you can be. You are welcoming to everyone when you're a liberal. You do not have a small mind."
Photograph Hand Oil Tinted by artist Margaret A. Rogers